Inception: MindBlowing

The Rolling Stone described it as “James Bond meets The Matrix”, while Wired wrote that it is “Dense, intense, brainy and beautiful to look at”. Yes, I’m talking about Inception – the hottest sci-fi entertainer of 2010, and the newest entrant to the “Top 10 movies I have ever seen”!

I went in with huge expectations, considering the last I’d seen of Christopher Nolan’s work was The Dark Knight (my review of which is still pending).  His body of work is small but very, very impactful.  If you’ve seen Memento, Insomnia, The Prestige or The Dark Knight, you know what I’m talking about.  (If you haven’t seen any of these, stop reading right now, and go get yourself the DVDs.) 

By the end of Inception, I was left with one overwhelming feeling – Nolan is a genius! 

Inception has a twisted storyline that takes some effort to grasp, but the journey is so worth the effort that the 2 hours and 22 minutes pass by in a flash.  I’m not going to bore you with the details of the plot and its main characters.  You can get all that on Wikipedia or on the Warner Bros’ official site.  What I’m here to tell you is this…

Inception is an incredible piece of work. 

Narrating a story that transcends multiple layers of the “dream state” is no easy task for any storyteller.  But, with Inception (and The Dark Knight), Nolan proves that he’s achieved artistry in his profession of choice.

Brilliant performances by DiCaprio and the rest of the cast, a huge canvas for Nolan to paint, spectacular special effects that add to the story, appropriate use of visual elements (and Hans Zimmer’s music) to heighten the drama and tension, and finally, enough science to make it all seem believable.  I especially liked the restraint shown by Nolan in his use of special fx and dramatic devices, so they don’t end up being overbearing, but instead, weave their place in the story as it progresses in complexity.

Don’t miss Inception.  It will blow your mind!!!

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2 Comments

  1. Great, enthusiastic review…above all else, what I loved about the film was that it had so many loose ends – so many unanswered questions… for instance, what’s the significance of the unruly mob in Saito’s dream? Was Cobb right about Mal being confused over what’s dream/reality, or was it all his illusion as well? And of course, the one at the very end: was it all a dream? Nolan does this with all his films – generates questions, doubts and debates…

    http://passionforcinema.com/inception-the-number-of-questions-exceed-the-number-of-answers-by-one/

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